Quick Painting #1: Banana

There are plenty of groups out there devoted to creating a new painting each day (or as close to it as possible). These types of paintings are typically small, simple still life type pieces which they they post on eBay for immediate sale! Great way to generate some money... and interest to your work! One group in particular, the Daily Painters, are definitely worth taking a look at. Most of these artists are well established artists that are working on major works and using these daily small paintings as a warm up! I'm not going to say that I'll be attempting to paint a new piece each and every day, but I think that I'll be trying to "warm up" with these small studies a couple of days a week. Today, I had a banana to throw in some oatmeal with me in the studio, so I painted the solo banana. I got about 1 1/2 hours of work in before lunch, and finished the last 30 minutes while digesting the subject! MUAHAHA! You can see some of the progress shots below. To liven up the composition, I was going to include a mason jar with some iced coffee I was drinking which you can see the outline of in shots 1 and 2; however, I was already nearing the 2 hour time limit I was trying to set for my self.

Enjoy the banana folks! They are basically one of the cheapest fruits you can find in the grocery store and they are so, so good for you!

- Joshua Grabowski

Monday Painting Advice #3

Don't get overwhelmed by all the fancy stuff you will find in the painting section of the art store! There are always going to be fancy products that come with fancy price tags (read: overly expensive). Walking down the aisle without knowing what you're getting yourself into can become a lot to take on! I remember when I was getting started with oil paints, seeing all the different oils and solvents was like reading an ancient language that I had never heard of before. I'd consult the internet and books on which products to use, but then I realized something, each recommendation was originally coming from some other artist... and it turns out that each of them essentially have a different idea of what works for them and their work. It really had come down to the moment of truth when I started to mix my own mediums and started to realize what was working for ME and the work that I WAS DOING! Experiences are what make us grow. Each piece of artwork is a growth opportunity and should be taken as such. Start simple. Simple ways to get into oils are starting with acrylics and understanding what it is like to have your paint dry within minutes. Traditional oil is a different beast and will dry much slower, but if you want it to dry faster/slower/shiny/matte/texturized/etc., there is HUGE selection of options and Google seems to offer the answer to just about anything now-a-days. So start small, get a couple items you research via web or books, yes, you can still find things in books, and get painting. You'll find out sooner or later what works for you and what doesn't.


In most of my oil paintings to date, I've enjoyed using Galkyd Lite as my medium of choice which in most cases I end up mixing directly with the paint. It typically dries overnight and adds a high gloss to the finish. I've been getting creative with the medium concoctions lately, adding stand oil and poppy oil to play with the drying time and making the paint more fluid. If I could explain the way the oil paint with medium feels under the bristles of my brush with words, I would... for lack of better words, it is "awesome" and complete satisfaction; enough of a reason alone to keep painting!


Keep Painting Painters! You too can enjoy that sensation... today!

-Joshua Grabowski

Caucasian Flesh Tone Paint - WASTE

One of the worst colors that most oil paint manufacturing companies offer is premade caucasian flesh tone. Granted this is a nice option when starting out mixing colors, but what colors are you really using? Perhaps the mix is more on the warm side of the color scale and adding the wrong blue might leave you with muddy, dirty colors that are flat and weak. When painting human skin, it is best to mix your own. Don't waste money on the premade stuff, here are the basic pigments found on most palettes that I use while making skin tones:

   cad. yellow med.

   yellow ochre

   flake white (warm white)
   cad. red light
   burnt umber & sienna
   ultramarine blue

For light flesh tones, start with flake white adding the yellows and a bit of red, using the burnt browns as shadows and blues to cool the color down if it gets "too warm." Medium tones can start with the yellows, adding white only to the highlights. Dark flesh tones use only the burnt browns, red, and blue. Typically, I try to stay away from any black in my work to keep from flat paintings. The best way to figure out which color mixes work best for you is to actually do it. Yes, oil paint might be expensive, but without trial and error you'll never get any better! Jump in, try it yourself!

-Joshua Grabowski

The First [of many yet to come] in 2010

Well, the time has come to start out the new year with progress! Tonight marks the official "completed" status on a piece that has been taking up a lot of my time since before Christmas. Experimenting with a new medium (drying linseed oil) that I had never used before set me back a couple days longer than expected in between painting sessions, but the final results are wonderful and well worth the wait! This piece is a 24" x 36" oil painting on store bought stretched canvas (I know, I know... time and cost effective for the project at hand, otherwise I prefer to build my own). Within about a weeks time to ensure the final layer of oil is dry, kamar varnish will be applied to "seal the deal" on the completed status and really make the painting shine! Literally! The frame needs a little TLC to really give this painting the perfect final touch: we got it on super discounted clearance price because of some minor cosmetic damage to some of the edges that can be easily filled with wood putty and painted. This "flaw" is so minor you can't even see it in the picture below. The hardest part is over with, time to get the final things in order and get this baby out the door. I will miss this painting, but I'm learning not to get as attached to my "babies" as I have in the past since it is obviously inevitable to part ways with them. The fact of the matter is that I am an artist and I need to make money for the works that I create. Don't know how I plan to create pieces and keep them all while also making this my only job. Ha!





All in all, this was a great experience. I can't wait to deliver the piece later this month and see the reaction on everyone's face! Next up, more oil paintings coming your way sooner than you think! BIG THINGS happening, and it is pure GOLD! Stay tuned everyone!

-Josh Grabowski

Bringing Back Color and Texture

After realizing how much I missed colors while working strictly in black and white I decided to jump head first into my arsenal of pigments! With six primed surfaces (each waiting patiently for me to return back to them), it seemed like a good idea to get creative. These six paintings have many more painting sessions ahead. On that note... headed back to my new babies now.

This piece will be done in the style very similar to Lights on Water (blog title image). This piece is a 12"x24" oil painting on hardboard. All the recent pieces that I am working on share a lot of the same color palettes and all being mixed with Galkyd Lite to promote drying within 24 hours for thinly applied layers.


note from the studio: red oil paint on hands and under nails is very hard to completely remove! forget about it if you get any of it on your clothes! slowly but surely each article of my clothing is going to have some amount of paint on them. occupational hazard.

here comes # two

In relation to the title, this picture is obviously just like my previous rose study... making this completely "original" title: rose study #2. Much more work left with this piece including adding another leaf, color glazing, (and a vase?). Not sure exactly what I want the final piece to look like but excited with each step of the way to completion. Look forward to the final product coming within the next couple days.

I'm going to say that this is one of 6 pieces I hope to finish before Tuesday of next week. Maybe writing it down will get my brush back in my hand and painting! I hope to write about each piece as they progress throughout the weekend to entertain you all with something nice to look at! :)

-Josh Grabowski

The Stairway

So, it has officially been over a week since my last post! I know, I know, I am sorry! Trust me, I feel worse about it than you do! Anyways, for this post, I thought that I would share a painting that most of my family and friends are familiar with since it has been a long, long process finishing this piece. One reason for the lengthy process is that most of the piece has been made with very thin oil glazes using galkyd lite (as I have mentioned in previous posts). I started this painting a while back as a submission for a gallery review (which didn't end in my favor, but it was a great experince). Months and months later, I keep telling myself "since it's almost complete, I am going to finish it," and well... NOW I AM! Most of you would recognize this painting about 15 layers back, so take a second look if you remember it! -Josh Grabowski

Oil Painting Medium Toubles

This is a picture from my studio of some of the oil mediums that I have been using.

One of the hardest things that I have faced over the course of my art adventures has been the science and art of oil mediums. I have been trying to make my own and experiment with recipes that I come across online. I recently found a book online that I plan to get sent via Amazon or Google, "Formulas for Painters." In it, author Robert Massey lists over 200 recipes for sizes, grounds, glazes, paints, varnishes, fixatives, and adhesives for a wide range of art mediums. Thanks to the wonderful technology that Google brings us, I am able to preview about 20-30 some-odd pages using Google Book Search. I feel that this book should bring me some invaluable information and recipes on whipping up some useful things to use in my studio. If by some chance I catch a reader that knows something that I don't about this subject, please contact me; otherwise, I will continue my search and experimenting on my own. I will be posting more about my recent works within the next couple days. -Josh Grabowski