Untitled 5

Another piece from the Reflections series:

4ft. x 4ft. - Untitled 5 - oil on stretched canvas
click the image for a higher-res photo

This piece was to embody more of an aggressive, yet deep and passionate type feeling (at least to me). The colors seem to make a black, but it actually is dark green posed next to rich, deep reds to make the contrast really pop. In my opinion, this was one of the most successful pieces in the series, strong enough to stand alone from the group of paintings; however, I still believe the series works together to strengthen each other (one the very good reasons for creating a series of paintings in the first place).

-Joshua Grabowski

Reflections Series - Untitled 4

Untitled no. 4 - 4' x 4' - oil on stretched canvas

click to load higher resolution image

My series on color studies, Reflections, consisted of 9 large canvases (this piece above being one of the smallest sizes). The series was to created large scale paintings which the viewer can take in the feeling of the color. Each piece was then titled simply "Untitled [1-9]" since I didn't want the viewer searching endlessly for lets say an apple if the title was something like, "Apple Orchard." Somehow we can trick our brain into thinking that we see something, just because we are expected to. This happens all the time with Magic Eye 3D art. "What do you see?" "A rabbit!" "Oh... uh, yeah! Me too!" I wanted each of the nine canvases to speak for themselves. See what you want to see in them. Reflect on why you think that you see the things you see. Do you see dark, morbid images of monsters, or do you see happy, blossoming flowers? Why? What experiences in life brought on the thought process that led to deciphering the images like that? 

I know I keep mentioning that my online art site will be up and running soon, and there you will be able to view the entire Reflections series cohesively, read about the ideas behind it, and even see more progress shots of how it all came together.

-Joshua Grabowski

Untitled 1, 2, 3...

...is part of my previous large body of work created over the previous winter months that I've only shared a small portion of so far. These three paintings form a triptych, which by definition is a work of art that is divided into three sections. Each stands alone at 7ft tall by 3ft wide for a total width of around 9ft depending on the spacing between the pieces. The colors used here are also in every other painting within my "Reflections" series. They were my favorite pieces from the whole collection... but as the proud artist of this great work, I can not discredit the others, which are all strong and great in their own individual ways. Currently these pieces reside in WI but I have eventual big plans for these, as well as the rest of the series,  with a confidently higher price tag than what I am used to. Below I've included some of the pictures of the construction and painting process of these beauties. Custom HTML by yours truly should allow you to click on any of the images to view them in your full browser window. Enjoy, everyone! Questions as well as comments are (as always) encouraged and welcomed! :)

-Joshua Grabowski

Dabbling Back Into Pastels

Just the other day, I received an email from someone interested in my "Swirl Sunset," oil pastel piece. This got me interested once again working with this medium. Easy clean up, fast application, vibrant colors, easily blendable (yes, that's right, I did just make up that word). To kick off the pastel fun, I decided to simply make a 2010 version of the original. The picture below is the results from attempt no. 1! 

Vibrant & fun colors. I was using my newsprint sketchbook, and the weight of the paper is just simply not acceptable for the pull on the pastels (in other words, the paper can rip quite easily since it is so thin! be cautious!...or just use better paper!) Since this medium is so "hands-on," I'm left with a oily, gritty (yet colorful) film on my fingers, which now is spread throughout my keyboard. Yay!

-Joshua Grabowski

More of the Reflections Project

I'd like to share a little collage of pictures from my Reflections series. This collage of images was put together for a gallery viewing opportunity but I went with another image instead (I didn't think this image showed them well enough). After browsing many sites for hosting my artwork, I think I may have found a couple that offer services with advertisements appearing on the page for their "free version" where at any point you can choose to upgrade for a reasonable monthly fee... I figure, what do I have to lose? It's free! I'm going to try to get these images up soon since it has been about a month and a half now and I've done plenty of research at this point!

I've been working on some still life pieces recently, just for fun. I'll put the results and the works-in-progress up over the next few days.

Hope everyone is taking advantage of the wonderful weather, and if not... get out there!

-Joshua Grabowski

Close-up Detail

In the effort to slowly reveal my work but keep everyone interested... I figured it was a good time to share some more photos of my recent series that I put together earlier this year. By now, I would like to assume that the pieces are close to completely dry, but will continue to hold off on the varnish for the recommended dry time of 6 months for the oil to fully cure and oxidize. These pieces will need to be removed from the stretcher bars I built (from scratch!) and then rolled up for shipping to either their new owners or the galleries I find to show them. I've casually titled the series "Reflections: A Series on Color" but that isn't set in stone and could possibly change as I put together the series statement.

Over the past few years, I've scoured the net for images of work, videos of the creation of that work, and written words about it. While doing this, I've stumbled across some interesting blogs, wonderfully put together sites, and even more importantly, some truly great artists. Most of these artists find a focus, a theme, and run with it as far as their creativity will take them. When the idea has run dry, they reinvent their "direction" and follow that path until... well, you understand the idea that is happening here. I've always been an artist to try many different things. One week I am focused on texture, the next week is figurative pieces. Later I start to study roses, while shortly after I get myself painting sunsets & clouds. I've been trying to keep centered on one idea as much as I can but it just continually seems that I can never stay held down for too long. My concentration goes awry, my motivation drops dramatically, and I find myself needing something else to reignite my creativity. Earlier today I decided that it was time for me to find some art groups, classes, ANYTHING that wasn't accessible exclusively through my computer (of course the numbers to contact were found through the internet, on my computer... so i understand and appreciate the importance of it, thank you vaio). After a few phone calls, I found myself talking to real live people. ARTISTS! Artists that weren't snobby acting as though they couldn't give me the time of day. I understand that calling out of the blue asking for help is awkward, and I am most certainly not asking for any handouts, but it was nice to get some genuine people on the phone offering assistance to classes, groups, showings, etc. I found a place located in Scottsdale called BRIO Fine Arts Center. It was founded by a woman originally located in the Chicago area who was an absolute wonderful pleasure on the phone. It's a start. Very easy conversation. Suddenly I feel like I could be part of a group of other artists. Artists with faces and a physical presence, rather than exclusively online. It's a great feeling.

Another great feeling: possible sale of my three rose studies about to be finalized. Trying not to get my hopes up until everything goes through, but I would like to thank Michael for helping post these on the internet and actually turn them into $$$$!! 

Ideas: 

-making small still life piece daily to participate in "painting-a-day" programs, teach myself discipline, better understand my materials, as well as simply create more work!

-order some books... or finding them at a used bookstore! DISCOUNTS! (everyone loves a discount)

-get a new "glass house" for our little pet Jalapeno, the betta fish

All the best everyone! Happy Friday!

-Joshua Grabowski

just because....

I really like the way that this is turning out. My admission to the crowds is that I'm realizing how much I like working in this style, but I'd never tell to any of my other paintings. ;)

Time to get off the procrastination horse and pack my suitcase!

-Josh Grabowski

Painting Filled Saturday Continues

Here you'll see the second texture piece which accompanies the first wide piece I posted earlier today. Now I have a "tall" and "wide" painting, otherwise known as a portrait and a landscape piece that could jump start the body of work needed for a "lights on water" series? Either way, things are going great. Lots of paint out right now but the air has been at the mediums all day and most of the night yesterday making it heavier and thicker than normal. When this happens, the paint begins to form a gel almost, somewhere equivalent to painting with semi-dry rubber cement... it's not the most ideal situation. Better put the unusable paints aside and keep on pushin' out these pieces. Deadline is approaching quickly!! :)

-Josh Grabowski

-in case you didn't notice, these pictures were taken with a digital camera, not my phone... much better quality!

Bringing Back Color and Texture

After realizing how much I missed colors while working strictly in black and white I decided to jump head first into my arsenal of pigments! With six primed surfaces (each waiting patiently for me to return back to them), it seemed like a good idea to get creative. These six paintings have many more painting sessions ahead. On that note... headed back to my new babies now.

This piece will be done in the style very similar to Lights on Water (blog title image). This piece is a 12"x24" oil painting on hardboard. All the recent pieces that I am working on share a lot of the same color palettes and all being mixed with Galkyd Lite to promote drying within 24 hours for thinly applied layers.


note from the studio: red oil paint on hands and under nails is very hard to completely remove! forget about it if you get any of it on your clothes! slowly but surely each article of my clothing is going to have some amount of paint on them. occupational hazard.

Newest Commission Piece

This is the newest piece that I was commissioned for. It now holds a residency with my other "Yellow Rose" piece in a private collection currently in Downers Grove, IL. THANKS FOR YOUR SUPPORT ERIC! :) For those of you that would like to pay close attention to detail, you can see a picture of the backside here (originally took this picture for myself to reference the way I framed the picture and attached the hanging hardware). You might notice the style of this painting was inspired from the Autumn painting I created a couple months earlier for About.com's monthly painting project. Heavy paint and palette knifes create an interesting texture for the leaves. Eventually when the piece is dry enough, I like to run my fingers (VERY CAREFULLY) across the surface; visual and physical appeal! This piece came around after a recent sale on a website, comparable to eBay but tailored to artists, Artbreak.com. You can take a look at my personal page here. Since the sale of my work went so well on this site, I plan to post more material on my page in hopes to keep the art sales going! Hoping everyone is well! Now GO! Be creative everyone, it feels wonderful! -Josh Grabowski

Feeling Great!

After letting the paint dry a bit on the yellow rose, I added another couple of glazes. Since the last picture of the rose was a little blurry and the quality wasn't the best, I thought that I would post another.

After working on this little project, I feel GREAT! One of my greatest "art finds" recently is About.com's Painting site. This website is an invaluable resource to any painter! One of the interesting features that I found is the Monthly Painting Projects. For the month of March, the project was to create a painting portraying the "essence of a season" using only a palette knife, no brushes. I chose to portray autumn/fall because I love the colors of the leaves (NOT THE TEMPURATURE!). Take a look at my results!

My painting for the March project on About.com's Painitng site. I am heading to my easel now to work more on the italian staircase piece. Stay tuned for the results of tonight's work! -Josh Grabowski

More On Textures

Since the last post was about my experimenting with textures in oil paints, I thought it was nessecary to include some others that I made around the same time using the same concept. The two paintings below were made at the same time using a palette knife instead of a paint brush. The paint was applied directly without any use of oil mediums. I would say that these paintings are completed very quickly and expressively allowing for the viewer to see whatever they would like. In this case, the idea is so abstract, you might actually see only yellows and reds whereas with the "Lights On the Water" painting, the viewer might see something other than just abstracted colors. -Josh Grabowski

Lights On the Water

If you didn't already know, the image behind the title of my blog is actually a painting of mine as well. I created it while studying texture, dry times, and color placement with oil paints. The stretched canvas is 25"x48" and has an additional board attached to the top with three recessed under-cabinet lights to help create a dramatic effect on the extreme texture of this painting. Since the harsh lighting reflected off of the wet paint so beautifully, I wanted to capture this after the paint had dried and placed a high gloss finish over the top. Most people see this painting and immediately think that it must be lights reflecting off of water and floating flowers; however, that was not exactly the original intention, even though I will agree that it does! Currently, this painting helps decorate the office at my mother's house. -Josh Grabowski